Wolfshead, the Legend of Robin Hood. (1969)
“Wolfshead” was the first contemporary telling of the story of Robin Hood. Filmed entirely out on location in North Wales, it’s characters struggle for existence across a bleak, windswept, winter landscape. All thoughts of Merry Men in Lincoln Green are dispensed with in favour of an attempt to portray with greater realism the conflict between the Saxon farmers and the Norman baron’s intent on seizing their properties.
When Sir Jeffrey’s brother, Roger of Doncaster, learns that Robert of Loxley was not killed for his insolence, he determines to use the incident to have him arrested and his lands confiscated. Sir Roger’s ulterior motive is that his intended bride Lady Marian Fitzwater, has a crush on Robert from childhood, and this stands in the way of his marriage to her. So he enlists the help of the Abbott to have Robert made a Wolfshead: An outlaw who’s head is worth that of a wolf’s, dead or alive.
Returning from a secret meeting with Marian (who’s childhood name for him is “Robin”), Robert finds his farm burnt to the ground and his sister murdered. Nearby forest dweller Friar Tuck takes care of the survivors, whilst Robert himself is forced to flee. Much joins Robin, presenting him with his father’s Welsh bow, “powerful enough to stop a bear and pierce plate iron”. From this moment Robert refers to himself as Robin, as both a disguise, and a means of communicating via secret messages to Marian. After a while, when attempting to cross a river in search of a safer hiding place, Robin meets John Little on the bridge (how they didn’t freeze to death in those temperatures I’ll never know), and later still recruits Will Stukely, whose coat, whilst not exactly Scarlet, is of a suspiciously familiar shade of “rusty red”. And so it is that, directly after this band of outlaws take to wearing Hoods as a disguise, and nominate Robin as their leader, the short film comes to a close with Robin Hood and his familiar band of outlaws, poised to do battle against villain Roger of Doncaster and his sadistic sister, who by the way quite fancies Robin for herself. (Shades of Isabella Gisborne in BBC’s Robin Hood?)
“Wolfshead” is the start of the story of Robin Hood, and leaves us just as the Legend is about to begin. Sadly, the subsequent TV series was never made. This pilot was just too far ahead of it’s time. Maybe it still is. But this grim telling of the tale, with it’s clear attempts at authentic references, is highly recommended to Robin Hood fans who find the sequins on Errol Flynn’s green costume a little hard to take. Special mention should be made not just of Director John Hough, but of Director of Photography David Holmes, who’s camera angles are a visual feast.